*Actual vinyl color and effect may slightly differ from mockup.

Father of Folk Blues

Son House


The "Father of the Delta Blues" recorded this namesake LP for Columbia Records in 1965. It's become, in the words of Living Blues magazine, "essential recordings by one of the greatest bluesmen ever."

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Nutrition Facts

Other Features
color Black
exclusive VMP Curated Pick
jacket style Tip-On
jacket type Gatefold
label Analogue Productions
mastering engineer Ryan Smith
mastering studio Sterling Sound
pressing location Quality Record Pressings (QRP)
release type Reissue
remastering details Remastered
By the Numbers

2 lp
format
1965
original release year
45 rpm
speed
12 inch
vinyl size
200 gram
weight
Description

Mississippi's Son House was already legendary for a small collection of live field recordings made by folklorist Alan Lomax in 1941 and 1942, and for having taught some important licks to both Robert Johnson and Muddy Waters before he was rediscovered by a new generation of college-age fans in 1964. The "Father of the Delta Blues" recorded this namesake LP for Columbia Records a year later in 1965. It's become, in the words of Living Blues magazine ‚ÄĒ "Essential recordings by one of the greatest bluesmen ever." And now, Analogue Productions presents a reissue unmatched in sonic quality and luxury presentation. For our version we turned to Ryan Smith at Sterling Sound to remaster the recording from the original master tapes. The freshly cut lacquers ‚ÄĒ for this version, cut at 45 RPM for truer cartridge tracking and decreased distortion on the inner groove ‚ÄĒ were then plated and pressed on 200-gram vinyl by Quality Record Pressings. The Hybrid Stereo SACD version was authored for SACD by Gus Skinas at the Super Audio Center in Boulder, Colo. Son was born Eddie James House, Jr., on March 21, 1902, in Riverton, Miss. By the age of 15, he was preaching the gospel in various Baptist churches as the family seemingly wandered from one plantation to the next. He didn't even bother picking up a guitar until he turned 25; to quote House, "I didn't like no guitar when I first heard it; oh gee, I couldn't stand a guy playin' a guitar. I didn't like none of it." But if his ambivalence to the instrument was obvious, even more obvious was the simple fact that Son hated plantation labor even more and had developed a taste for corn whiskey. After drunkenly launching into a blues at a house frolic in Lyon, Miss., one night and picking up some coin for doing it, the die seemed to be cast; Son House may have been a preacher, but he was part of the blues world now.
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Father of Folk Blues
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