*Actual vinyl color and effect may slightly differ from mockup.


Hanni El Khatib

The fifth studio LP from garage rocker Hanni El Khatib, we have FLIGHT on red glow-in-the-dark vinyl.

SOLD OUT: We'll notify you if this title comes back in stock.

Nutrition Facts
VMP Exclusive Pressing

This record was pressed by VMP, Please and you can't get this specific variation anywhere else.

Exclusive Features
color Red Glow-in-the-Dark
foil stamped Yes
numbered Yes
Other Features
download code Yes
exclusive VMP Exclusive
label Innovative Leisure
mastering engineer Alex Deturk
pressing location GZ Vinyl
release type New Release
By the Numbers

1 lp
original release year
33 1/3 rpm
total pressing quantity
12 inch
vinyl size

What would eventually become El Khatib‚Äôs fifth studio album, the virtuosic but characteristically raw FLIGHT, began as spontaneous experimentation. Over the last several years, El Khatib had become close friends with Leon Michels, best known as the mastermind of the soul controllers the El Michels Affair, but who has also quietly racked up producer credits for the likes of pop juggernauts like Lana Del Rey, Travis Scott, A$AP Rocky, and Eminem‚ÄĒas well as frequently working in sessions with Grammy-winning super-producer Mark Ronson. 

At first, their jams were intended as riffs and breaks for other producers to sample, but quickly, El Khatib decided to say fuck the middleman. Why create samples, when they could create the entire beat themselves? The process unfolded casually and organically. El Khatib took a few trips to Michels’ studio in upstate New York, and when Michels would come to LA to produce the new Chicano Batman record or to work with Ronson, he’d steal away an afternoon to help create FLIGHT

The finished result is a rollicking sampledelic opus that recalls the beautiful chaos that the Dust Brothers created on Paul‚Äôs Boutique and Odelay. Or maybe the euphoric bricolage of the Avalanches‚Äô Since I Left You crossed with the aggrieved darkness of the early Prodigy. Of course, it‚Äôs all filtered through the singular style that El Khatib has developed over the previous ten years. 

Take a song like ‚ÄúRoom,‚ÄĚ the first finished song on the album. Built off a scuzzy drum break and hypnotic pianos, the pair of El Khatib and Michels recorded it live to tape, then sampled it through outboard gear into the computer a la Portishead. Then they put it in Ableton, chopped the hell out of it, re-edited it and stitched back together into a collage. It‚Äôs the type of thing that Dilla and Madlib would‚Äôve created if they had come up on The Cramps.


Album Preview

*Audio and/or tracklist may vary slightly from the vinyl version.

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