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Though they have come to be one of the defining bands of the ‘90s, and an entire era of alt-rock, the number of people who actually got to see Sublime live in their heyday is remarkably small. They wouldn’t experience their major breakthrough until the tragic death of Bradley Nowell, so most of their shows up until the immediate tours after 40oz to Freedom started gaining traction a year after its release took place in impromptu settings at house parties, barbecues, and bars. There have been many, many bootlegs produced of these shows, but none can boast what $5 at the DoorThough they have come to be one of the defining bands of the ‘90s, and an entire era of alt-rock, the number of people who actually got to see Sublime live in their heyday is remarkably small. They wouldn’t experience their major breakthrough until the tragic death of Bradley Nowell, so most of their shows up until the immediate tours after 40oz to Freedom started gaining traction a year after its release took place in impromptu settings at house parties, barbecues, and bars. There have been many, many bootlegs produced of these shows, but none can boast what $5 at the DoorThough they have come to be one of the defining bands of the ‘90s, and an entire era of alt-rock, the number of people who actually got to see Sublime live in their heyday is remarkably small. They wouldn’t experience their major breakthrough until the tragic death of Bradley Nowell, so most of their shows up until the immediate tours after 40oz to Freedom started gaining traction a year after its release took place in impromptu settings at house parties, barbecues, and bars. There have been many, many bootlegs produced of these shows, but none can boast what $5 at the Door does: It’s the best sounding live recording of the band at their pre-Sublime prime, capturing their 1994 set at Tressel Tavern, as they knock out Grateful Dead covers and sound like a runaway train car that is laying its own track as it rambles down the tracks. Limited to 2000 VMP-only exclusive color copies and pressed on Tangerine & Lemon A-Side/B-Side vinyl at Sound Performance USA. The 2LPs will arrive in a gatefold, direct-to-board, foil-stamped and numbered jacket with a poster insert.
" >LP 1 / Side A
| 1 Don't Push / Right Back / New Thrash |
| 2 Worth That We Do |
| 3 40oz. to Freedom |
| 4 House Of Suffering |
| 5 Badfish |
LP 1 / Side B
| 1 Leaving Babylon |
| 2 Prison Oval Rock |
| 3 We're Only Gonna Die For Our Arrogance |
| 4 Let's Go Get Stoned |
| 5 Pool Shark |
| 6 STP |
| 7 I'm Not a Loser |
LP 2 / Side C
| 1 Scarlet Begonias |
| 2 Loving / Good Hole College |
| 3 Cost of Living |
| 4 DJ's |
| 5 Saw Red |
| 6 Jah Is My Light / Greatest Hits |
| 7 Jailhouse |
LP 2 / Side D
| 1 54-46 That's My Number |
| 2 Date Rape |
| 3 Ebin |
| 4 Youth Are Getting Restless |
| 5 Romantic Girl / Winner Takes All |
| 6 Myage |
| 7 Slow Ride |
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