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Music is a powerful trigger of a myriad of emotions, from the romantic, powerful, disastrous and even heartbreaking. Never is this more plainly evident than with the movie soundtrack.
Lalo Schifrin’s string and brass arrangements on Bullitt bring us in the car with Steve McQueen in an epic chase across San Francisco. Flip to Wendy Carlos’ "Ode To Joy" as Alex exclaims: “It was gorgeousness and gorgeosity made flesh,” the violence simmering somewhere close to the surface in Kubrick’s A Clockwork Orange. Late Night Tales Presents At the Movies reveals classic themes and motifs spanning the past 60 years, from Bernard Hermann’s daring fusion of orthodox orchestration and theremin, Gary Jules’ haunting version of Tears For Fears’ "Mad World" in the hypnotic <...
Music is a powerful trigger of a myriad of emotions, from the romantic, powerful, disastrous and even heartbreaking. Never is this more plainly evident than with the movie soundtrack.
Lalo Schifrin’s string and brass arrangements on Bullitt bring us in the car with Steve McQueen in an epic chase across San Francisco. Flip to Wendy Carlos’ "Ode To Joy" as Alex exclaims: “It was gorgeousness and gorgeosity made flesh,” the violence simmering somewhere close to the surface in Kubrick’s A Clockwork Orange. Late Night Tales Presents At the Movies reveals classic themes and motifs spanning the past 60 years, from Bernard Hermann’s daring fusion of orthodox orchestration and theremin, Gary Jules’ haunting version of Tears For Fears’ "Mad World" in the hypnotic Donnie Darko or John Barry’s harmonica-led theme to Schlesinger’s Midnight Cowboy.
A vast range of styles are present, from the jazz and soul-influenced compositions of Roy Budd, Isaac Hayes and Brazil’s Deodato, to electronic pioneers like Giorgio Moroder or composers like Philip Glass. So pour yourself that glass of something smooth, relax on the sofa, close your eyes and make believe you’re in a creaking hotel with Jack Nicholson, deep in the fearful sweat of Vietnam with Robert De Niro or a Turkish prison with Brad Davis.
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