In a world where dreams of stardom often blur the lines of reality, a seemingly innocent opportunity can quickly morph into a nightmare. Itay Kashti, a 44-year-old Israeli composer and producer, experienced this first-hand when he accepted an invitation to a songwriting camp in the tranquil countryside of Wales. Instead of finding creative inspiration, Kashti found himself ensnared in a terrifying plot that could have taken his life. As the music industry becomes increasingly global and interconnected, Kashti’s harrowing ordeal serves as a stark reminder of the vulnerabilities faced by working artists, especially those who travel alone or engage in unfamiliar collaborations.
Kashti's journey began with an enticing email from Polydor Records, inviting him to a week-long songwriting camp. With a career built on creating soundtracks and producing music for singer-songwriters, he viewed this as a gateway to further his artistic pursuits. “I scheduled a call with them,” he recalled. The conversation seemed innocuous enough, with a representative from Polydor complimenting one of Kashti's tracks featured in an Amazon Prime movie, and assuring him that all necessary equipment would be provided.
As the date approached, excitement mingled with apprehension. Traveling to Wales for a week, he knew, required a leap of faith.
On August 26, 2024, Kashti stepped out of his London apartment, ready for what he hoped would be a fruitful creative endeavor. A white Mercedes was waiting for him, with a driver—a man of South Asian descent—who quickly engaged him in conversation. They discussed their backgrounds, with Kashti cautiously revealing his Israeli heritage, while the driver, identifying as Muslim, expressed curiosity about his culture.
“This was an interesting conversation, but I also felt a sense of unease,” Kashti recalled. Given the rising tide of antisemitism in the UK amid ongoing conflicts in the Middle East, he felt exposed. Nonetheless, they shared stories, and as they drove through the verdant landscapes of Wales, little did Kashti know that danger was lurking just ahead.
Upon arriving at the remote cottage tucked away in the Carmarthenshire countryside, Kashti sensed something was amiss. “Why would they set up camp in a place so isolated?” he pondered. Nevertheless, he assumed the organizers had a plan and proceeded into the cottage, with his driver following behind him.
In a shocking turn, three masked men burst into the cottage, physically overpowering both Kashti and the driver. “I thought, ‘This must be the last scene in a movie,’” Kashti recalled as he was struck by what felt like a flurry of blows. The driver managed to escape, something that turned the tide for Kashti. “I realized I was in a trap,” he stated.
The attackers handcuffed Kashti to a radiator pipe and fled, believing they had succeeded. But the men had not anticipated the role his driver would play, nor had they secured him properly.
With determination and adrenaline kicking in, Kashti realized he could escape by freeing himself from the hastily secured handcuffs. Bloodied but resolute, he grabbed his phone, then clutched his precious acoustic guitar case—a Martin model he treasured.
In the surreal moments that followed, Kashti sprinted outside, waving frantically at passing cars. Unfortunately, the first vehicle didn’t stop, leaving him feeling vulnerable and afraid. Hiding behind a bush, he managed to contact his wife, who quickly alerted authorities.
The police soon arrived, taking Kashti to the hospital. Miraculously, despite his injuries, he did not sustain any permanent damage.
As investigations unfolded later that day, law enforcement quickly uncovered a chilling plot. The would-be kidnappers, Mohammad Comrie, Faiz Shah, and Elijah Ogunnubi-Sime, had positioned themselves to hold Kashti for ransom. They had researched how to execute the kidnapping, purchasing handcuffs, a gag, and masks, even going so far as to acquire food and water for what they expected could be a drawn-out ordeal.
However, their planning left much to be desired. They had utilized fake names to rent the cottage and attempted to use a stolen credit card in their endeavors. When police arrested them hours after the attack, their amateurish execution was evident—what could have ended fatally instead became a case of recklessness.
During the court proceedings, it became clear that the motivation for targeting Kashti was rooted in antisemitism. Judge Catherine Richards highlighted that the kidnappers had targeted Kashti because of his Jewish background and their misguided belief that he was wealthy. In messages shared between the men, they expressed contempt for Jews and rationalized their actions based on harmful stereotypes. They even controversially implied that Kashti's fortune stemmed from Israel's political situation involving Palestinian territories.
Such chilling insight into their mindset raises alarm bells about the prevalence of antisemitism in contemporary society, particularly in the context of economic motivations.
The three men ultimately pleaded guilty, facing sentencing on March 14, 2025. Each received significant prison time, with Comrie and Shah being sent to prison and Ogunnubi-Sime directed to a young offender institution. Judge Richards firmly stated that the men had shown deliberative intent in their planning and execution of the kidnapping attempt.
In discussions following his recovery, Kashti expressed admiration for his driver, whose quick intervention proved to be a life-saving decision. He noted that had he not engaged in conversation with his driver, he might not have enlisted help for his luggage, which led to them entering the cottage together.
“The most profound lesson I learned is about human connection,” Kashti remarked. “I connected with that man, and it ended up saving my life.”
Kashti’s terrifying experience raises larger questions about safety in the creative and musical industries. Freelance musicians often find themselves in precarious situations, traveling alone and entering unfamiliar environments where they are at risk. Kashti’s case exemplifies how essential it is for artists to prioritize their safety and make informed decisions about their collaborative projects.
Some considerations for enhancing safety in creative settings include:
In retrospect, Itay Kashti’s ordeal is not just a story of survival, but also an essential cautionary tale for all freelancers in the arts. Living a life filled with creativity should not come at the cost of one's safety.
Itay Kashti, an Israeli music producer, was targeted in a botched kidnapping plot at a fake songwriting camp organized in Wales. Fortunately, he escaped with his life after managing to free himself from his captors.
The attackers were three men—Mohammad Comrie, Faiz Shah, and Elijah Ogunnubi-Sime—who plotted to kidnap Kashti for ransom. They were arrested shortly after the incident.
The men targeted Kashti based on his Jewish heritage, believing him to be wealthy and hence a viable ransom target, reflecting underlying antisemitic sentiments.
Since the incident, Itay Kashti has reflected on the experience publicly, emphasizing the importance of human connections and sharing insights into the vulnerabilities faced by freelance artists.
Artists can enhance their safety by researching opportunities, traveling with companions, utilizing technology for communication, trusting their instincts, and reporting suspicious activities to authorities.
Kashti's story not only serves as a reminder of the potential dangers in the creative world but also champions resilience and the profound effects of kindness and connection in life-threatening situations.