Bastille's Dan Smith Discusses Stage Anxieties and Ticket Touts' Impact on Music Fans

Table of Contents

1. Key Highlights
2. Introduction
3. The Uneasy Performer
4. The Ticket Touting Crisis
5. The Economic Impact of Touting
6. Real-world Examples and Advocacy
7. The Future: Regulation and Community Support
8. Conclusion
9. FAQ

Key Highlights

• Dan Smith, lead singer of Bastille, opens up about his ongoing stage anxiety, even after 15 years of performing.
• During a recent interview, he criticized ticket touts for inflating prices and hindering fans' access to live music.
• Smith highlights the economic impact of touts on the music industry, suggesting that regulation could benefit artists and fans alike.

Introduction

Did you know that ticket touts make an astonishing £145 million a year from reselling concert tickets, money that could otherwise support artists and grassroots venues? This staggering statistic underscores the challenges faced by musicians like Dan Smith, frontman of the British band Bastille, who opened up about his struggle with anxiety on stage and the detrimental effects of ticket scalping during a recent interview on The Chris Moyles Show. In an industry where emotional vulnerability and fiscal pressures converge, Smith's reflections provide a poignant lens into the realities of life as a performing artist today.

The Uneasy Performer

Despite his years in the spotlight, Dan Smith candidly admitted that he remains “an anxious wreck” when performing live. This admission came as a surprise to many, given that he has captivated audiences globally for over a decade with hits like "Pompeii" and "Good Grief." Smith described the paradox of touring life: while being an artist offers a privilege, it also entails navigating significant stressors.

“I can’t sleep on the tour bus, and the busy days are filled with promotions, sound checks, and writing. There’s no time left to feel comfortable,” he explained. For many fans, the romanticized version of a touring musician is starkly contrasted by the real emotional toll it can take, particularly for someone who struggles with anxiety.

Smith stressed the importance of community within the music world, highlighting how collaboration fuels creativity. This emotional connection, however, is often overshadowed by the pressures of ticket sales and fan engagement.

The Ticket Touting Crisis

A pivotal moment in Smith’s interview centered around the issue of ticket touting, which continues to plague the concert-going experience for many music fans. Touts, who buy up large quantities of tickets for events, often resell them at exorbitant prices, leading to widespread frustration and loss for both fans and artists.

“It's infuriating for fans who want to attend shows,” Smith said. He pointed out the contrast between different legal frameworks, noting that in Ireland, for example, it is illegal to resell tickets for more than their face value, creating a more favorable market for fans. He advocated for similar measures in the UK, emphasizing the personal toll that ticket touting takes on artists trying to keep concert prices accessible for their audiences.

The implications of touting extend far beyond individual ticket sales; they threaten the very fabric of the live music industry. When significant amounts of money are siphoned away by scalpers, it impacts the ability of venues to host events, undermines support for grassroots artists, and, ultimately, stifles diversity in music.

The Economic Impact of Touting

Smith highlighted that the £145 million lost to ticket touts could be redirected into supporting the entire music ecosystem—from venue staff to touring technicians—strengthening the industry for both established and emerging artists. Touts create a separate, parasitic economy that threatens the livelihoods of professionals who work tirelessly behind the scenes.

The economic model of touring often relies on substantial ticket sales, which funds many interconnected jobs in the music industry. When tickets are marked up and sold at inflated prices, it creates a barrier for fans—particularly younger ones or those from lower-income backgrounds—who might want to experience live music but cannot afford the inflated rates. This leads to a broader cultural exclusion in the music landscape.

In discussing the broader context, Smith observed, “There are also a lot of amazing independent venues and artists, and they’re seriously struggling.” Grassroots venues often function as stepping stones for new talent, and the loss of financial support due to touting significantly hampers this crucial sector.

Real-world Examples and Advocacy

The conversation about ticket touting isn't limited to Bastille or even the UK and Ireland. Globally, artists and fans have united to call for reforms. In 2020, Taylor Swift spoke out against scalpers in a letter to Congress, advocating for tighter regulations on ticket sales.

Furthermore, organizations and platforms have emerged to combat this growing issue. For example, sites like Secured Ticket Exchange operate with transparency, selling tickets at face value and offering buyers assurance against online fraud. Such initiatives underscore a growing awareness and the necessity of protecting both artists and fans.

Bastille’s Commitment to Accessibility

Bastille has actively worked to ensure that their shows remain accessible. “We keep our ticket prices as low as possible because we want everyone to enjoy our music,” Smith reiterated. This ethos reflects a broader sentiment within the music community as artists recognize the importance of sustaining access to live performances.

Smith’s discussions about ticket pricing and tout prevention provide a candid look into the ethical considerations artists must navigate in an increasingly commercialized industry.

The Future: Regulation and Community Support

As the conversation around ticket touting evolves, experts and advocates are calling for changes that could reshape the ticketing landscape. A unified approach could involve the development of clear policies aimed at curtailing ticket scalping. This could include measures such as:

• Implementing strict regulations similar to those found in Ireland.
• Collaborating with ticketing platforms to detect and prevent bulk purchasing.
• Increasing public awareness of reputable sites for ticket resale at regulated prices.

Furthermore, artists can amplify their advocacy efforts by engaging with fans directly about the impacts of touting and the importance of fair access.

Conclusion

Dan Smith's revelations about his stage anxieties and the scourge of ticket touting provide vital insights into the complex nature of live music. They remind us that behind every performance lies not just the thrill of entertainment but a bustling ecosystem that relies heavily on fair opportunities for both artists and fans. The fight against ticket touting remains critical, not only for the future of the music industry but also for ensuring that the joys of live concerts continue to resonate with audiences everywhere.

FAQ

Why is ticket touting an issue?

Ticket touting refers to the practice of reselling tickets at inflated prices. This practice damages the live music experience for fans and undermines the economic health of the music industry.

What are some proposed solutions to ticket touting?

Regulations such as capping resale prices, outlawing ticket bots, and promoting reputable ticket-selling platforms can help combat scalping. Countries like Ireland have already implemented laws against reselling beyond face value.

How does ticket touting affect artists?

Touts siphon off potential revenue that could have supported artists and their teams, ultimately jeopardizing their ability to tour sustainably and offer affordable tickets to fans.

What should I do if I encounter ticket touting?

Consumers are encouraged to buy tickets directly from authorized sellers and to report suspicious or inflated pricing to proper authorities or consumer rights organizations.

Are any artists advocating against ticket touting?

Many musicians, including Dan Smith from Bastille, are vocal opponents of ticket touting, using their platforms to raise awareness around the issue and call for structural changes in the industry.