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Kid Cudi’s 2009 debut LP Man on the Moon: The End of Day may only be remembered by some for the once-inescapable hits like “Pursuit of Happiness” and “Day ’n’ Night,” a dozen-year-later retrospective view of the album proves it an ambitious mammoth of a concept album. After gaining momentum as a creator and collaborator on gargantuan cultural artifacts of the aughts, most namely the previous year’s 808s and Heartbreaks and his own mixtape A Kid Named Cudi, all eyes were on Cudi’s major label debut. Man on the Moon: The End of Day delivered the first in his Man on the Moon trilogy, and a hip-hop album that muddied the sonic lines between hip-hop, new wave, electronic, and a handful of other genres in a way the mainstream had yet to see.