In the world of pop music, the allure of theatricality continues to inspire artists to push the envelope of creativity. Miley Cyrus, a figure who has evolved rapidly over the years from a Disney star to a provocative pop icon, is set to further redefine her artistic narrative. On March 31, 2025, she unveiled the "Prelude" video—a fragment of her eagerly anticipated visual album Something Beautiful, which will be released on May 30. This sneak peek showcases not just Cyrus’s signature sound, but also an emergence into the realm of pop opera, a genre she hints carries the glamor and complexity of classics like Pink Floyd’s The Wall.
Cyrus's Prelude is replete with contradictions and deep reflections. The focus remains on Cyrus's voice rather than her visual presence, which adds to the weight of her spoken words, inviting the audience to engage with the layers of meaning embedded in her lyrical content. As Cyrus prepares to launch this innovative project, it begs the question: what does this metamorphosis signify for her as an artist?
Cyrus's transformation into a genre-spanning artist has been gradual, characterized by a willingness to experiment beyond mainstream pop. With Something Beautiful, she aims to create a unique visual and auditory experience. The album promises a rich blend of energetic pop infused with operatic elements and is described by Cyrus as a “pop opera” that is “one-of-a-kind”—twisting storytelling and musical interlude into a grand spectacle.
The roadmap to this release has been paved with hints and teasers to her fans. Just over a year prior to the release of Prelude, Cyrus expressed her unwavering commitment to the album’s direction during interviews, stating she was emotionally attached to the project and deeply invested in its creative process.
The video for "Prelude" opens with a soliloquy that captures the essence of emotional conflict and stark self-awareness—an exploration of the complexities of identity and truth. This spoken-word segment gives way to haunting visuals: images of nature intertwined with the inherent darkness that often accompanies introspection.
Cyrus begins with vivid metaphors:
"Like when following an image from a train / Your eyes can’t keep the passing landscapes from being swallowed into endless distance."
These lines encapsulate a struggle of perception, time, and existence, setting an emotionally charged tone for both the album and its themes.
In the latter parts of the video, when Cyrus finally appears, she is adorned in vintage Thierry Mugler couture, a visual metaphor for the layers of identity she has navigated throughout her career. This stark juxtaposition creates a dynamic interplay between her past and present—highlighting both the aesthetics of pop culture and deeper narratives of personal evolution.
Cyrus's closing lines of the soliloquy,
"But the beauty one finds alone is a prayer that longs to be shared," speak volumes about the human desire for connection and understanding, a concept that resonates deeply in her music and beyond.
The aesthetics of the "Prelude" video have garnered attention for their lush production quality. Directed by Jacob Bixenman and Brendan Walter, the visual staging captures a dreamlike essence—moments of vivid floral arrangements are interspersed amid muted darkness, symbolizing bursts of beauty amidst uncertainty.
The cinematography is helmed by Benoît Debie, a notable figure known for his work that explores complex emotional landscapes through impactful visual storytelling. This collaboration promises to bring Cyrus's visions to life in a way that mirrors the scale and ambition of grand cinematic cinema, enhancing the album's narrative depth.
Cyrus's declaration of Something Beautiful as a “pop opera” draws intriguing parallels with classical works. The methodology behind framing pop music within operatic structures may indeed captivate a diverse audience.
Historically speaking, opera has been utilized as a medium for dramatic storytelling, presenting characters' emotional arcs through soaring vocals and intricate plots. The fusion of these kinds of narratives into pop culture could serve as a bridge, inviting listeners who may otherwise shy away from traditional opera to experience its emotive power.
According to Cyrus, the album represents a reinvention mirroring the glam and complexity found in classics, aiming to blend elements considered high art with contemporary pop culture. In her own words:
“I have this heart-first attachment to it. My idea was making The Wall, but with a better wardrobe and more glamorous and filled with pop culture.”
The anticipation surrounding Something Beautiful and its lead-in, "Prelude", ignites conversation not only about Miley Cyrus but also about the future direction of pop music. As the landscape continues to evolve, visual albums and the integration of different artistic forms signify a new chapter in music consumption, where narrative depth is becoming increasingly valued.
Cyrus's unique position as an artist allows her to explore and expand the boundaries of genre. As more artists seek to find a balance between commercial appeal and artistic integrity, Cyrus's foray into pop opera could very well set a precedent for other musicians.
Much like Beyoncé's Lemonade or Childish Gambino’s Awaken, My Love!, visual albums have changed the way narratives are constructed within the music industry. This shift highlights the necessity for musicians to fully embrace their artistic visions, creating work that resonates on multiple levels—both sonically and visually.
With a release date set for May 30, expectations are high for Something Beautiful as fans eagerly anticipate the official drop of 13 tracks that promise to evoke strong feelings—amidst lingering questions around the full scope of this grand visual and aural experience.
Cyrus's choice to combine pop and operatic elements indicates an acknowledgment of evolving audience tastes. As a result, industry insiders speculate this approach could usher in a more dramaturgical approach to pop music where emotion and storytelling reign supreme.
Moreover, considering the social landscape that often intertwines art with activism, Cyrus could potentially use this platform to address broader themes that resonate with her fanbase and beyond. Her ability to encapsulate personal struggles alongside societal observations through music may reinforce her influence within the industry.
The essence of Miley Cyrus in "Prelude" and her forthcoming album Something Beautiful invites reflection on art’s ability to capture the multifaceted human experience. As she prepares to redefine the boundaries of pop music through the lens of opera, listeners are left with a sense of anticipation and wonder—eager to witness how her profound insights will unfold in a visual narrative that promises to be as beautiful as the title suggests.
Something Beautiful is set to be released on May 30, 2025.
The album consists of 13 original tracks, with the promise of a visual and aural experience that merges elements of pop and opera.
The video for "Prelude" was directed by Jacob Bixenman and Brendan Walter.
"Prelude" explores themes of identity, longing, beauty, and the complex nature of human emotion through a poetic spoken-word soliloquy.
Yes, a cinematic experience is planned to follow the album release in June 2025, extending the narrative of Something Beautiful.
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